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Beyoncé Songs Re-Imagined as Undergraduate Theses in Women’s and Gender Studies

kat-blaque:

nomoremrnicespice:

hoaxzine:

Baby Boy: The Sociocultural Effects of Prolonged Male Adolescence

Check on It: The Gendered Dynamics of Male Spectatorship in Urban Public Spaces

Crazy in Love: The Diagnosis and Treatment of “Female Hysteria” During the Late Nineteenth Century

Naughty Girl: Disidentification and the Performance of Female Sexual Promiscuity

Cater 2 U: Female Subservience and the Reinforcement of Hegemonic Gendered Power Structures

Get Me Bodied: A Radical Critique of the Sex/Gender Binary

Freakum Dress: The Role of Consumerism in the Construction and Assertion of Female Sexuality

Videophone: Social Networking Technology and the Deconstruction of the Dominant Gaze

Run the World (Girls): Historical Perspectives on Global Female Leadership

Bills Bills Bills: The Dual-Income Model and the Reshaping of the Domestic Sphere

Soldier: The Hypermasculinization of U.S. Military Culture

Independent Women: Girl I Didn’t Know You Could Get Down (to Business in the Public Sphere and Still Be Expected to Perform Domestic Labor During the “Second Shift”) Like That

The only thing keeping me tethered to academia is its profound ability to lend weight to defenses and general analyses of pop music. Conversely, one of the things keeping me tethered to pop music is its profound ability to bring political conversations into realms with mainstream accessibility. The intersection of pop culture and feminism is where I live.

I would take all if these classes

I immediately thought of @jt_baby

2damnfeisty:

pettycrocker:

guccipoop:

The house of double 0 double 0

MOTHA DOUBLE O!

The Legendary

Ow! 😄😄😄

(Source: juilan)

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